![]() According to Fischer, the idea for SIDES 1-4 was also inspired by the noise put out by Rene Herbst and his label Gasoline Boost Records in Germany (which included Big’n). Instead of having the comics included in SIDES 1-4 directly associated with AC/DC, Fischer and Syers instead hit up their comic catalog, resurrecting Hot Satan, Johnny Oedipus, and Serious Brown in new comics. The Beatles (issue #222, 1970), or one of my personal favorites, the comic collision of Star Trek and the X-Men, in 1996. The release included “crossover” comics-think Batman vs. Artists on the four-song record included Shellac (formed by Steve Albini and drummer Todd Trainer with the former bassist for the Volcano Suns, Bob Weston), Brise-Glace, Big’n, and Chicago-based noise rock band, U.S. Jumping to 1995 would see the SKiN GRAFT release SIDES 1-4, the first installment in a series of singles and comic book sets featuring bands performing songs “influenced” by AC/DC. ![]() Louis, Missouri math rock band Dazzling Killmen, combined both aggressive punk rock jams with, of course, comics, for a 7” split in 1991 with Minneapolis spaz-punk band Mother’s Day. At the time, Caliber was considered one of the largest publishers of indie comics in the U.S., and published two issues of SKiN GRAFT, distributing them worldwide before SKiN GRAFT decided to switch gears and try their hand at putting out records. Thanks to several characters they created, such as “The Zeppelin Patrol” a group of outer space hippies (lovingly inspired by one of the kings of underground comics, the creator of The Fabulous Furry Freak Brothers, Gilbert Shelton), “Serious Brown” (best described as a private dick in Muppet form), and “Hot Satan” (who is still proudly represented in the labels logo), SKiN Graft would soon catch the attention of comics giant Caliber Press. Louis, at high schools during lunch, and local comic and record shops. Conceived and furiously drawn by the pair, Fischer’s and Syers’ comics were sold at punk shows in St. He added: “And so they’re taking all this stuff I’ve ever said that’s wrong and smushing it all together.” Rogan then backpedalled somewhat: “It’s good because it makes me address some shit that I really wish wasn’t out there.When it was originally founded by Mark Fischer (along with his pal Rob Syers), Chicago’s SKiN GRAFT was a purveyor of underground/DIY comics and low-brow punk ‘zines ethos. It’s like, this is a political hit job,” Rogan said. (Spotify has since pulled over 100 episodes of The Joe Rogan Experience, citing “racially insensitive language.) Meanwhile, on Tuesday’s episode of The Joe Rogan Experience, Rogan addressed this repeated use of the N-word on the podcast, which was brought to light after India Arie reposted a video compiling 24 clips of the host using the racial slur. Whereas Deadheads apparently comprise the aforementioned community of “lawyers and CEOs.” The part that matters to them, that they are there for each other in material ways other communities fail at, that’s the whole thing.”Īlbini no doubt is referring to the fact that Insane Clown Posse have enjoyed something of a redemption arc in recent years, selling “Fuck Your Rebel Flag” T-shirts, promoting COVID-19 safety protocols, and calling out Blood On The Dance Floor’s Dahvie Vanity, who was accused of sexually assaulting underage girls. So what, your life isn’t? Get over yourself. A lot about the Juggalos is dumb/laughable. “This is absolutely model owning-your-shit behavior, and if a goddamn fucking Juggalo can manage it, a nine-figure podcaster can step the fuck up without whining,” Albini wrote, adding: “Less annoying than Deadheads by an order of magnitude. Who cares.”Īlbini was responding to viral, resurfaced screenshots from a 2020 We’ve Got A File On You interview Stereogum’s Tom Breihan did with Violent J, who called himself a “fool” for propagating homophobia in the band’s music. I haven’t heard much of the music, it’s atrocious. “A non-judgmental, inclusive community for people on the fringe, built on a beautiful communion they call ‘family.’ They remind me of punk/queer chosen families and I love them. “Yes, I’m saying the Juggalos are good,” Albini wrote. Yesterday, superproducer Steve Albini sparked a social-media debate when he posted to Twitter that Juggalos (a nickname for Insane Clown Posse fans) are superior to Deadheads, after arguing that if ICP can learn from their problematic lyrics, Joe Rogan should be able to properly apologize for his use of the N-word.
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